Ana Llorens, Federico Simonetta, Martín Serrano, Álvaro Torrente: “musif: a Python package for symbolic music feature extraction”, Sound and Music Computing Conference 2023, pp. 132–138. https://smcsweden.se/proceedings/SMC2023_proceedings.pdf
Alvaro Torrente, Ana Llorens: “The Musicology Lab: Teamwork and the Musicological Toolbox”, Music Encoding Conference Proceedings 2021, pp. 9-20; http://hdl.handle.net/10045/123667
Ana Llorens, Álvaro Torrente: “Constructing opera seria in the Iberian Courts: Metastasian Repertoire for Spain and Portugal”, Anuario Musical, 76 (2021), 73-110. https://doi.org/10.3989/anuariomusical.2021.76.05
Paula Muñoz-Lago, Ana Llorens, Emilia Parada-Cabaleiro, Álvaro Torrente: “SymPlot: A Web-Tool to Visualise Musical Symbolic Data”, 2020 24th International Conference Information Visualisation (IV), 2020, pp. 515-521, https://didone.eu/wp-content/uploads/2020/10/913400a534.pdf; DOI 10.1109/IV51561.2020.00092; see http://symplot.iccmu.es/
Paula Muñoz-Lago, Nicola Usula, Emilia Parada-Cabaleiro, Álvaro Torrente: “Visualising the Structure of 18th-Century Operas: A Multidisciplinary Data Science Approach”, 2020 24th International Conference Information Visualisation (IV), 2020, pp. 508-514,https://didone.eu/wp-content/uploads/2020/10/913400a527.pdf ; DOI 10.1109/IV51561.2020.00091
Ana Llorens, Gorka Rubiales, Nicola Usula: “Operatic Sources for Demofoonte: Libretti and Scores after Metastasio’s ‘figliuolo’”, in Milada Jonášová and Tomislav Volek (eds.), Demofoonte come soggetto per il dramma per musica: Johann Adolf Hasse ed altri compositori del Settecento, Prague: Academia, 2020, pp. 273-321. https://didone.eu/wp-content/uploads/2020/10/LlorensRubialesUsula-Catalogo-Demofoonte.pdf
Álvaro Torrente, Ana Llorens: “‘Misero pargoletto’: Kinship, taboo and passion in Metastasio’s Demofoonte” in Milada Jonášová and Tomislav Volek (eds.), Demofoonte come soggetto per il dramma per musica: Johann Adolf Hasse ed altri compositori del Settecento, Prague: Academia, 2020, pp. 57-86. https://didone.eu/wp-content/uploads/2020/10/TorrenteLlorens-Demofoonte-Misero-Pargoletto.pdf
José María Domínguez: “Farinelli cavaliere di Calatrava, il Real Giro del marchese dell’Ensenada e la Descripción del Teatro del Buen Retiro”, in commemorative volume for the XX anniversary of the Centro Studi Farinelli, Bologna, Lucca, LIM editore, in press.
Domínguez, J. M. (2022). “La didáctica universitaria de la ópera seria a través de la dramaturgia musical: reflexiones historiográficas y materiales docentes.” Musica Docta, 12(1), 1–21. https://doi.org/10.6092/issn.2039-9715/15919
Outreach
Álvaro Torrente: “Achille in Retiro: Una ópera de Metastasio y Corselli para Madrid”, Scherzo (special dossier: Aquiles travestido: ópera y mito, coord. Álvaro Torrente), March 2020, pp. 70-73. https://didone.eu/wp-content/uploads/2020/10/Torrente-Achille-in-Retiro.pdf
Nicola Usula: “Los sueños de Aquiles: Un mito entre las bambalinas y la ópera”, Scherzo (special dossier: Aquiles travestido: ópera y mito, coord. Álvaro Torrente), March 2020, pp. 74-77. https://didone.eu/wp-content/uploads/2020/10/Usula-Los-sueños-de-Aquiles.pdf
José María Domínguez: “La dignidad de la retórica. Achille in Sciro como pedagogía de príncipes”, Scherzo (special dossier: Aquiles travestido: ópera y mito, coord. Álvaro Torrente), March 2020, pp. 78-81. https://didone.eu/wp-content/uploads/2020/10/Dominguez-La-dignidad-de-la-retórica.pdf
